It feels good to know you’re mine. Now drive me far away.
I don’t care where,
just far away.
Im freely sipping the best coffee this side of I-don’t-care-where-just-far,
a retro-fabulous diner, Nighthawks vibe,
feels so da da da dun, da dun da da.
Just another day,
which is to say that Time has become inconsequential,
I outlasted her—tough ol’ bitch.
Now who is Queen of England? The Sultan of Swing? The Keeper of Gramercy Park?
I am everything to anything left over,
lord and master wherever I may wonder.
My cup is overfull but never runs,
it did boil once—one of those “catastrophes”—
with violins and tears and fears and that tired-dire-end-of-this-mad-world.
But never fear, Everlast, is here! Single-handedly
SAVED THE WORLD, and preserved it in this comic book,
like some crazy Dorian-Gray-role-reversal-bullshit-whatever.
Can you explain to me how, you’re so evil, how?
It’s too late for me now, there’s a hole in the earth,
I’m out.
Jagged little pills aren’t helping:
The nosebleeds came more often,
until the blood just didn’t stop flowing.
I run my fingers through stringy black hair,
it falls away in clumps,
reveals a desert-head beneath,
a landscape worthy of O’ Keefe,
dry and cracked and itchy,
parabola above and the parabol underneath,
a fiery sunburn under the skin, tough ol’ bitch.
No reason for alarm or panic! at the disco
I am as permanent as a painting,
and the glow I radiate is so bright…
Stronger, even, than the Dime Jukebox in the corner,
playing the Last-Song-Ever
A catchy tune,
sad though, ironically stoic,
like statues left without audience or caretaker.
Monolithic, imbued with the sense of a grand gesture
unfulfilled.
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